Literary theory

Literary theory is the systematic study of the nature of literature and of the methods for analyzing literature. However, literary scholarship since the 19th century often includes—in addition to, or even instead of literary theory in the strict sense—considerations of intellectual history, moral philosophy, social prophecy, and other interdisciplinary themes which are of relevance to the way humans interpret meaning. In the humanities in modern academia, the latter style of scholarship is an outgrowth of critical theory and is often called simply "theory." As a consequence, the word "theory" has become an umbrella term for a variety of scholarly approaches to reading texts. Many of these approaches are informed by various strands of Continental philosophy and sociology.

Overview

Literary theory refers to any principles derived from internal analysis of literary texts or from knowledge external to the text that can be applied in multiple interpretive situations. It includes the principles and ideologies behind and analysis of literature, encompassing a broad range of approaches and methodologies. This field explores the structure of texts, the historical contexts of texts, readers' interpretations of texts, and the properties of texts.

History

The history of literary theory dates back to Plato and Aristotle who propounded theories of poetics and rhetoric. Throughout the centuries, scholars and critics have tried to enrich the understanding of literature with new theories such as Formalism, Structuralism, Marxist literary criticism, Psychoanalytic criticism, Feminist literary criticism, and more. The 20th century saw the rise of Post-structuralism and Deconstruction, which questioned the stability of the relationship between text and meaning.

Major Theories and Schools of Thought

Formalism

Formalism is a school of literary theory and criticism that originated in Russia during the early 20th century. It emphasizes the form and structure of a text without focusing on the context. Formalists argue that the literary text exists independently of any external influences and should be studied as such.

Marxist Criticism

Marxist literary criticism examines literature in its social context and considers the role of class and ideology as they reflect, propose, and challenge the prevailing social structure.

Psychoanalytic Criticism

Psychoanalytic criticism adopts concepts from psychoanalysis to interpret texts. It argues that literary texts, like dreams, express the secret unconscious desires and anxieties of the author, that a literary work is a manifestation of the author's own neuroses.

Structuralism

Structuralism in literary theory is a philosophy that elements of human culture must be understood in terms of their relationship to a broader system. It works to uncover the structures that underlie all the things that humans do, think, perceive, and feel.

Post-structuralism and Deconstruction

Post-structuralism is a late 20th-century movement in philosophy and literary theory that generally questions the basic concepts of Western thought from Plato to Derrida. Deconstruction, a form of critique developed by Jacques Derrida, challenges the attempt to establish any ultimate or secure meaning in a text.

Feminist Criticism

Feminist literary criticism explores how texts perpetuate or challenge patriarchal ideas and examines the portrayal of genders, focusing on how literature is influenced by gender dynamics.

Current Trends

Today, literary theory often reflects and incorporates concepts from a wide range of disciplines including linguistics, anthropology, psychology, and cultural studies. The field continues to expand and evolve, incorporating new theories such as Ecocriticism, which examines the representation of nature in literature and its effect on the environment.

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